Itineraire culture -ARCHIVE STATION

Itinéraire Culture – Archive Station est un centre de recherche, de documentation, de résidence et de diffusion de l'art contemporain. Un lieu de ressource unique représentant l'ensemble des artistes, sans aucune discrimination quelle qu'elle soit. Ce sont plus de 8000 œuvres, livres et documents mis à la disposition du plus grand nombre. Un centre de recherche où la recherche se partage. Tous les documents ne sont pas encore disponibles sur le site, celui-ci étant en cours d’indexation permanente.

Archive Station is a center for research, documentation, residency and diffusion of contemporary art. A unique resource place representing all artists, without any discrimination whatsoever. There are more than 8,000 works, books and documents made available to as many people as possible. A research center where research is shared. Not all documents are yet available on the site, as it is undergoing continuous indexing.

Curated by Artists

MOSSET, Olivier (dir.), Carl Andre, Alan Charlton, Niele Toroni, Can, centre d’art, Neuchâtel, 2002.

WAHLER, Marc-Olivier (dir.), Can, centre d’art, Neuchâtel, 2000.

BESSON, Pierre et HURTEAU, Philippe, Qui est là ?, Jean-Michel Place éditions, 2001.

BAWIN, Julie, L’artiste commissaire. Entre posture critique, jeu créatif et valeur ajoutée, éditions des archives contemporaines, Bruxelles, 2014.

JEFFERY, Celina, the Artist as Curator, intellect, Bristol, 2015.

STEICHEN, Edward, the Family of Man, The Museum of Modern Art, New York, prologue by Carl Sandburg, 1955.

STEICHEN, Edward, the Family of Man, The Museum of Modern Art, New York, prologue by Carl Sandburg, 1955. souple

PERRY, Grayson, The Tomb of the Unknown Craftsman, The Bristish Museum, London, 2011. ex. signé.

ECKER, Bogomir et HUBER, Thomas, Künstlermuseum, Eine Neupräsentation der Sammlung des Museum Kunst Palast, Düsseldorf, Herausgegeben von Jean-Hubert Martin mit Barbara Til und Andreas Zeising, museum kunst palast, Düsselforf, 2001.

Abstract Drawings, curated by DEACON, Richard, The Henry Moore Foundation, 2014.

Charley Independents: No Soul for Sale–A Festival of Independents, Tate Modern, 2010.

HOFFMAN, Jens (ed.), the Next Documenta should be Curated by An Artist, Revolver, Frankfurt am Main, 2004.

KOSUTH, Joseph, The Play of the unmentionable, Brooklyn Museum, New York, Thames and Hudson, 1992.

RIEDEL, Michael, Oskar, Davis Zwiner, New York, 2014.

BALWIN, Julie, Monsieur Duchamp nous a dit que l’on pouvait jouer ici, Musée des Arts et Métiers, Paris, 2019.

Berlin, Das malerische Klima einer Stadt, KH. Hödicke, Bernd Koberling, Markus Lüpertz, Rainer Fetting, Helmut Middendorf, Salomé, Bentelli, verlag, Bern, 1982.

CRIPPA, Elena (dir.), Exhibition, Design, Participation: ‘an exhibit’ 1957 and related shows, afterall, 2017.

Anarchie – Revolte – Spektakel. Das Kunstfestival intermedia »69. Hg. Renate Buschmann u.a.

WIEHAGER, Renate, Duchamp as Curator, Snoeck Verlagsgesellschaft mbH, 2028.

WIEHAGER, Renate, Marcel Duchamp: The Curatorial Work: Chronology of Curated Shows and Collections, Snoeck Verlagsgesellschaft mbH, 2020.

The Artist As Curator, in Mousse magazine, ensemble de 8 livrets.

GREEN, Alison, When artists curate, contemporary art and the exhibition as medium, reaction books, 2018.

MERCIER, Mathieu, Collectionner : une vie pour l’art, L’Onde, Vélizy-Villacoublay, 2014.

Le groupe de Bloomsbury, Conversation anglaise, Paris, Gallimard, 2009.

LOTERY, Kevin, The Long Front of Culture, The Independent Group and Exhibition Design, The MIT Press, 2020.

BURNS, Aileen, LUNDH, Johan, TMCDOWE, Lara (ed.), The Artist As Producer, Quarry, Thread, Director, Writer, Orchestrator, Ethnographer, Choreographer, Poet, Archivist, Forger, Curator, and Many Other Things First, Curatorial Practice at MADA et The Institute of Modern Art, Brisbane, 2018.

PARENT, Francis, PERROT, Raymond, Le Salon de la jeune peinture, Une histoire, 1950-1983, Editions Patou, Paris, 2016, dédicace de Francis Parent.

WARHOL, Andy, Raid the Icebox 1, The Museum of Art, Rhode Island School of Design, Providence, RI, 1970.