
Independent Group, This is Tomorrow, Whitechapel Art Gallery, London, reprint, 2011.
inv. n° ID 001 20

Anne Massey, The Independent Group, Modernism and mass culture in Britain, 1945-59, Manchester University Press, 2008.
inv. n° ID 002 20

Kevin Lotery (ed.), The Long Front of Culture, The Independent Group and Exhibition Design, MIT Press, 2020. inv. n° ID 003 20

Eduardo Paolozzi, Archaelogy of a Used Future : Sculpture 1946 – 1959, Jonathan Clark Fine Art. inv. n° ID 004 20

Eduardo Paolozzi, Judith Collins, Lund Humpphries, 2014. inv. n° ID 005 20

Eduardo Paolozzi, Winfried Konnertz, Dumont, 1984. inv. n° ID 006 20

Eduardo Paolozzi at new world, science fiction and art in the sixties, David Brittain, Savoy books, 2013. inv. n° ID 007 20

Eduardo Paolozzi, Recurring Themes, the Royal Scottish Academy, Eddinburg, 1984. inv. n° ID 008 20

Eduardo Paolozzi and others, Psychological Atlas, 1949, Kölnischer Kunstverein, 1979. inv. n° ID 009 20

Nigel Henserson, Norwich School of Art Gallery, 1982. inv. n° ID 010 20

Richard Hamilton, Tate Gallery Publications., London, 1992. inv. n° ID 011 20

Hamilton, Richard, Duchamp, Marcel, A typo/topography of the Large Glass, Philadelphia Museum of Art, ex. signé. inv. n° ID 012 20

Richard Hamilton, October Files, N°10, MIT Press, 2010. inv. n° ID 011 20

Richard Hamilton, Gran Bretagna, Venice Biennal, 1993.

Richard Hamilton, tate etc., spring 2014.

Nigel Henderson, ettle’s Yard, Cambridge, 1977.

Richard Hamilton: Prints 1939-83, Hansjorg Mayer, Stuttgart, 1984.

Richard Hamilton, Collected Works, 1953-1982, Thames and Hudson, 1982.

ICA, 1946-1968, ICA, London, 2014.

Brigitte Aubry, Richard Hamilton, Peintres des apparences contemporaines (1950-2007), Les presses du réel, Dijon, 2009.

Richard Hamilton, Tate Publishing, London, 2013.

Nigel Henderson & Eduardo Paolozzi: Hammer Prints Ltd. 1954 – 75, Cotton Michelle, 1992.

Richard Hamilton, Nursery Education, Alan Cristea Gallerey, London, 2015.